MISKA DRASKOCZY - Biography
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Solo Exhibitions |
2014 |
Gowanus Wild, Vermont Center for Photography, Brattleboro, VT |
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Selected Group Exhibitions |
2013 |
THE FENCE at PHOTOVILLE, United Photo Industries, Brooklyn, NY |
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Life-Framer, theprintspace, London, UK |
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Renaissance Photography Prize, The Wapping Project Bankside gallery, London, UK |
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HCP 31st Annual Juried Membership Exhibition, Houston Center for Photography, Houston, TX |
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Paducah Photo 2013, Yeiser Art Center, Paducah, KY |
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Detroit Print Exchange, 4731 Gallery, Detroit, MI |
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Portfolio Showcase: Night Photography, Davis Orton Gallery, Hudson, NY |
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Open Water, The Kiernan Gallery, Lexington, VA |
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Texas Photo Society 22nd International Competition, Texas Photographic Society, San Antonio, TX |
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Abstraction, The Kiernan Gallery, Lexington, VA |
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3rd Annual International Juried Photography Exhibition, Viridian Artists, New York, NY |
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Portraits 2013, Center for Fine Art Photography, Fort Collins, CO |
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2013 Midwest Center for Photography Juried Exhibition, Midwest Center for Photography, Wichita, KS |
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Color Story, Darkroom Gallery, Essex Junction, VT |
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Lines: Walked and Crossed and Otherwise, PhotoPlace Gallery, Middlebury, VT |
2012 |
Urban Art, Gallery 1313, Toronto, Canada |
2001 |
NATOarts: A Retrospective, Forde Gallery, Geneva Switzerland |
2000 |
NATOarts: A Retrospective, private exhibition, New York, NY |
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Awards |
2013 |
Renaissance Photography Prize, Winner, ‘Ordinary’ Category |
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International Photography Awards, Honorable Mentions in Portrait, Culture, Family & Still Life |
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Director’s Choice Award, 2013 Midwest Center for Photography Juried Exhibition |
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Juror’s Selection Award, Portraits 2013, Center for Fine Art Photography |
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Runner-Up, Life-Framer, ‘A Human Touch’ |
2012 |
1st and 2nd place winner, Bozeman Ice Fest trailer photo contest |
2010 |
Mister Gimp, horror screenplay, semi-finalist Slamdance screenplay competition |
2005 |
Perfect Heat, short film, Best Visual Effects, Nolita Film Festival |
2003 |
Golf Xpress, experimental short film, Best of Denver Underground Film Festival |
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Filmography |
2010-2012 |
Here’s the Thing… – Creator/Director – web series, 34 episodes |
2005-2012 |
International Center of Photography Infinity Awards – Editor/Post Production Supervisor |
2010 |
The Trick – Writer/Director –Digital Video, 10min |
2009 |
Mister Gimp – Writer – Feature Length Screenplay |
2006 |
Shackleton: Quest for the Pole – Writer/Director – Digital Video, 9min |
2005 |
Perfect Heat – Writer/Director – 35mm, 11min |
2003 |
Golf Xpress – Writer/Director – Interactive Digital Video, 10min |
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Selected Film Festivals |
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Fantastic Fest, San Francisco Independent Film Festival, Slamdance Screenplay Competition, Atlanta
Underground Film Festival, Monkeytown triennial, Science Fiction Festival Athens, Icon Israeli
Fantastic Festival, New Filmmakers, Winnipeg International Film Festival, Santa Cruz Film Festival,
NYC Downtown Short Film Festival, Cinequest Online, Science Fiction Short Film Festival, Nolita Film
Festival, St. Louis International Film Festival, Ohio Independent Film Festival, ShockerFest, Los
Angeles International Short Film Festival, Fantasia Film Festival, Cinema Paradise Film Festival,
Independent Film Festival of Boston, Arizona International Film Festival, Royal Flush Film Festival,
Denver Underground Film Festival, TromaDance |
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Selected Bibliography |
2013 |
The Photo Review 2013 Competition issue |
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F-Stop Magazine, Issue #49, Open Theme |
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Lenscratch blog, 2013 Portrait exhibition |
2012 |
Madeleine Rebbechi, “Here’s the Thing”, portable.tv, June 2011 |
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Karen Worden, “Here’s the Thing… on the road across America”, Film Courage, June 2011 |
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Scott Larson, “Here’s the Thing stops in Vegas”, Vegas Outsider, July 2011 |
2005 |
“Miska Draskoczy – Perfect Heat”, SHIFT, February 2005 |
2000 |
“NATOarts: A Retrospective”, Contemporary Visual Arts, September 2000 |
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Dan Jones, “we are sailing”, i-D, September 2000 |
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Rebecca Spence, “NATOarts: A Retrospective”, ARTnews, September 2000 |
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Adrian Dannatt, “In Defence of Conceptual Art”, The Art Newspaper, October 2000 |
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Louisa Buck, “Art Military Installation”, Esquire, September 2000 |
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Neil Thompson, “Cat and Mouse with NATOarts”, New York Press, September 2000 |
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Gunnar Luetzow, “The voice of a new establishment?”, Der Speigel, September 2000 |
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Neil Cooper, “The alliance of music and art”, The Herald, September 2000 |
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Teaching Experience |
2013 |
Continuing Education Track Seminar 3rd term, Teaching Assistant, International Center of
Photography, New York, NY |
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Gallery Affiliations |
2013 |
Tepper Takayama Fine Arts, Boston, MA |
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Selected Client List |
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MTV Networks, Condé Nast, International Center of Photography, Vogue, Samsung, BMG Records,
Microsoft, Sony, Time Inc., Canon, Hasbro, Filativa, NHL, Refinery29, Ford Motors, IBM, Ogilvy &
Mather, Grey Worldwide, Adidas, Razorfish, Avrett Free Ginsberg,TWBA\Chiat\Day, iDeutsch, Merkley
Newman Harty,Interbrand, Lowe Scanad, Wolfe / Doyle, Diageo, Porsche, GE, Plum TV, Fairchild, Estee
Lauder, MSG Network, Macy's |
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Education |
1998 |
BFA - School of the Museum of Fine Arts / Tufts University |